Other people had already set the table, so we wandered out
to see about the yard. There was a plot of dandelions that had puffed out their
seeds. The day was still, so we began blowing on them and flapping our arms to
create wind until we were dizzy. A man who had been standing like a tree, said,
the dandelion blowers are over there and motioned to a field of kids, tall as
corn, somberly blowing the fluff to the ground. He shook his head. Maybe you
can do something about it, I am busy pretending to be this tree here, so when
the rest of the world peers in from their living rooms, they won’t know we’ve
killed off all the bees. He snarled his barkpocked face in a knob and said, child labor.
It’s disgusting. No one said anything about wishes.
I couldn’t remember the beginning of things. Adrift, bereft,
you repeated, fingering the place on your rumpled coat where a button had been.
It was you said, made from the wooden teeth of George Washington. Carver? I
said. I don’t know who carved it you said. I tried to remember who GW was, if
it wasn’t Carver, and could only think of the white heads of dead flowers in
the hands of children.
Where are we going I wanted to say, but the question came
out like this: Going where we are, and the question mark caught in the space
between my teeth, so we walked until we got back to where it all began.
What if our names aren’t on the list? You ask, nervous and
itchy. I scrape my nails against your back to plot our location. Ah, right
there, you say, (you are wrong, we are over here I say and move my finger
lightly over your kidney) but really, what if our names are not on the list? We
burned off our fingerprints long ago. No, they melted I say, long enough ago to
be our grandfather clock. In the blizzard of 15? you ask, shaking off the rain.
No, remember? in the fires of 20, I say. Our faces melt in the acid falling
from the sky, but we are bone-close and I love the smile of your skeleton.
We click into the house finally, our soggy bones sticking
from the humidity. Dinner is still being made. The children are drunk on
dandelion wine (what did you think was going to happen, making them work all
those hours and with only one song playing over and over again, the national
fucking anthem says a youngish woman to an oldish man. They have no hope she
says, propping a sloppy 7 year old up against a rubber plant which he wraps his
arms around and says he loves). Can we help? We ask, opening and closing our
fleshless hands to stretch our tendons.
(will we scare the children? we say to each other, and then chatter our teeth in a
thousand rough guffaws. They have seen worse you say, tenderly touching my cheekbone).
I wear the phalanx of your smallest finger around my
neckless spine. You have carved my new name into your rib right above your
missing rib.
Now that we don’t have flesh, it is like the garden of Eden
again. We are shameless and thin, and we can talk to animals through the teeth
marks they leave on our femurs and clavicles. Also, you point out one day while
we are sneaking into abandoned malls and trying on clothes like hangers, we can
travel anywhere, and no one will know we are from where we are from. Where we
are from slips through your teeth like oil.
The word feels like a coin with so much dirt stuck to it
that it jams up the machine, when all you wanted was a rubber ball to bounce or
stuffed animal to smooth, or a plastic gem-stoned ring to wear: something to
pass the time, something to help you remember where you’ve been.
Where we have been we remember in shivers at night, while we
rename the revised constellations. Orion has lost most of his belt, and the
Pleiades are down to only five sisters. Little bear is gone, and Ursa’s low
growl has become a bed for our bones, which are grinding down faster now that
the oxygen is gone. The only thing that makes us sad is that the dandelion
children never got to grow up. As for us, we lie in pile of tangled parts, and,
when we are a pile of dust, we say excitedly as we fall asleep, we will REALLY
be able to travel. Even beyond this world I say. And you nod in a sort of
shimmering of particles against slants of light from the shadowy moon, whose
long work is almost done.
2 comments:
This takes my breath away. It's so jagged and yet so beautifully tender...
Thank you. I am very glad the tenderness comes through...
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